B020358 - ARCHITECTURAL DESIGN STUDIO II

Italian

ITALIAN

Inglese.

List of main pubblications

G. Cavallina , S.Lambardi,A.Ruocco: “Architettura tra ragione ed intenzioni” ( “Architecture among reason and aim”),
Aiòn, Firenze 2010
G. Cavallina : "Dal Significato al Progetto" ( “From meaning to design” ) , Print & Service, Firenze 1995
G. Cavallina : “ Il margine inesistente” ( “The inexistent boundary” ) A-Linea Firenze, 1999.
G. Cavallina , S. Lambardi, A. Ruocco: “Nuove città antichi segni” ( “New towns, ancient signs” )
Fir. Univ. Press ,Firenze 2006
G. Cavallina, P. Iannone, R. Marzocchi: “Simbolo, Funzione e Scala” ( “Symbol, function, scale” ), Firenze 1991.

The laboratory aims to define and carry out a contextualised architecture project
working so that the student manages to critically define the different planning stages
with sufficient degrees of specialisation, attempting to establish the correct relations
among distribu-tive-functional organisation, technical building and installations
requirements and formal conception and relations with the context.
The six-month exercise consists in the elaboration of an architecture project.

Housing: the Old City of Taranto Re_Design.

- P.Zermani, Oltre il muro di gomma, Diabasis, Reggio Emilia, 2010;

- A. Manfredini, Teoria e Pratica nella Progettazione Architettonica, Alinea, Firenze, 1994

- A. e G. Manfredini, Dieci conversazioni di Progettazione Architettonica, Alinea, Firenze, 1995
- A. Manfredini, La condizione della Progettazione Architettonica nell’Italia contemporanea, Alinea Firenze, 1998;

- A. Manfredini, Questioni di Progettazione Architettonica, Alinea, Firenze, 2000;

- A. e G. Manfredini, Progettazione Architettonica e residenze temporanee integrate, Alinea, Firenze, 2003;

- A. e G. Manfredini, La progettazione architettonica nella riqualificazione urbana, Alinea,
Firenze, 2006;



- F. Diotallevi, I. Marescotti, Ordine e destino della casa popolare, Ed. Domus, Milano, 1941;

- F. Diotallevi, I. Marescotti, Il problema sociale, economico e costruttivo dell’abitazione, Ed. Il Poligono, Milano, 1947;

- AA.VV., I 14 anni del piano INACasa, Staderini editore, Roma, 1963;

BIBLIOGRAFIA
• Aldo Rossi, "L'architettura della Città". Quodlibet.
• Aldo Rossi, "Autobiografia Scientifica". Il Saggiatore.
• Iñaki Ábalos, “Il buon abitare. Pensare le case della modernità.”, Christian Marinotti Edizioni.
• Antonino Saggio, “Architettura e modernità. dal bauhaus alla rivoluzione informatica”. Carocci.
• Ludovico Quaroni, “Progettare un edificio. Otto lezioni di architettura”. Kappa.
• Adolf Loos, “Parole nel Vuoto”. Adelphi.
• Eleonora Mantese, “Abitare con. Ricercario per un'idea collettiva dell'abitare.” Canova.
• Francesco Cacciatore, “Il muro come contenitore di luoghi. Forme strutturali cave nell'opera di Louis Kahn”. LetteraVentidue.
• J.G. Ballard, “Il Condominio”. Feltrinelli.
• Maurizio Vitta, “Dell'Abitare”. Einaudi.
• C. Norberg-Schulz, "L 'Abitare - L 'insediamento, lo spazio urbano, la casa.” Electa.
• A. Cornoldi, "L 'architettura dei luoghi domestici." Jaca Book.
• B. Taut, "Costruire: la nuova edilizia abitativa." Zanichelli.
• A. Branzi, "Modernità debole e diffusa ", Skira.
• F. Purini, “Comporre l’Architettura.” Laterza.
• F. Purini, “Sette tipi di semplicità in Architettura”. Libria.
• W. Blaser, “Mies van der Rohe.” Zanichelli.
• F. Neumeyer, Mies van der Rohe. Le architetture e gli scritti.” Skira.
• M. Castringnao, "La città degli individui - Tra crisi ed evoluzione del legame sociale." Franco Angeli.
• R. Pommer, C. F. Otto, “Weissenhof 1927 and the Modern Movement in Architecture”. University of Chicago Press.
• L. Monica, “Gallaratese Corviale Zen. I confini della città moderna disegni di progetto degli studi Aymonino, Fiorentino, Gregotti.” Festival Architettura.
• Ray Bradbury, “Farenheit 451”, Oscar Mondadori.
• George Orwell, “1984”, Oscar Mondadori.
• Carlos Marti Aris, “Silenzi Eloquenti”, Christian Marinotti Edizioni.


CINEMATOGRAFIA

• “Metropolis”, Fritz Lang, 1927.
• “La fonte meravigliosa”, King Vidor, 1949.
• “Tokyo Monogatari (Viaggio a Tokio)”, Yasujiro Ozu, 1953.
• “La Notte”, Michelangelo Antonioni, 1961
• “L’eclisse”, Michelangelo Antonioni, 1962.
• “8 e mezzo”, Federico Fellini, 1963.
• “Play Time”, Jacque Tati, 1967.
• “2001. Odissea nello spazio”, Stanley Kubrick, 1968.
• “Stereo”, David Cronenberg, 1979.
• “Arancia Meccanica”, Stanley Kubrick, 1971.
• “L’uomo che fuggì dal futuro (THX 1138)”, George Lucas, 1971.
• “Professione reporter”, Michelangelo Antonioni, 1975.
• “Stalker” Andrej Tarkovskij, 1979.
• “Shining” Stanley Kubrick, 1980.
• “Blade Runner”, Ridley Scott, 1982.
• “Camera con vista”, James Ivory, 1987.
• “Il Ventre dell’Architetto”, Peter Greenway, 1987.
• “Full Metal Jacket”, Stanley Kubrick, 1987.
• “Tokio Decadence”, Ryu Murakami, 1992.
• “Racconti del cuscino”, Peter Greenway, 1996.
• “Crash” David Cronenberg, 1996.
• “Gattaca”, Andrew Niccol, 1997.
• “Eyes Wide Shut”, Stanley Kubrick, 1999.
• “The Architect”, Matt Tauber, 2006.
• “Inception”, Christopher Nolan, 2010.

The contents of the workshop are geared to provide information necessary to reflect the character of italian architecture from the review of a group of works made by some masters of contemporary architecture. The references of long duration, and the peculiar characteristics which have always assumed founding, and at the same time fertile ground for the development of Italian Architecture, are the subject of investigation of this series of lectures.

The studio will examine the theme of housing applied to the Old City of Taranto as a significant example of architectural design. The Old City will be the backdrop and canvas on which to weave three projects that in their intentions reworking the typological Housing of Taranto will pose the question of the possibility towards the improvement of social and anthropological solutions. In housing every experience of architecture is fulfilled. Through the study of some significant examples from different eras, it will create a critical awareness towards the project, to be able to use the results as the basis of all subsequent activities.
The projects planned at the end in the three research areas will have the task of demonstrating the Architecture ability to improving them and change the dynamics of aggregation of consolidated old cities.

None

Permanent workshop with lecture

WORKSHOP

None

FINAL TEST

The studio will examine the theme of housing applied to the Old City of Taranto as a significant example of architectural design. The Old City will be the backdrop and canvas on which to weave three projects that in their intentions reworking the typological Housing of Taranto will pose the question of the possibility towards the improvement of social and anthropological solutions. In housing every experience of architecture is fulfilled. Through the study of some significant examples from different eras, it will create a critical awareness towards the project, to be able to use the results as the basis of all subsequent activities.
The projects planned at the end in the three research areas will have the task of demonstrating the Architecture ability to improving them and change the dynamics of aggregation of consolidated old cities.

The contents of the workshop are geared to provide information necessary to reflect the character of italian architecture from the review of a group of works made by some masters of contemporary architecture. The references of long duration, and the peculiar characteristics which
have always assumed founding, and at the same time fertile ground for the development of Italian Architecture, are the subject of investigation of this series of lectures. In a season in which technology fibrillation, proposes the variability of languages as constitutive theme of contemporary architecture, it is necessary to consider if under this crust uniform and indistinct of hybridizations lexical, are still recognizable as the chief distinguishing features of various specific conditions, which by always characterize the specificity of italian architecture in the international context.